Actually,
screaming. For a long time now I’ve
really liked songs that feature screaming. In
my opinion piercing, pane-of-glass-shattering screams in a tune generally improve it (as is also the case with yodelling, whistling
or animal noises …). Screams = serious, searing emotion. That's a powerful ingredient in a mere piece of music. Use it with care kids ...
My
favourite scream tune is probably the most obvious - Ralph Nielson & The Chancellors’
amazing Scream. Its screams are great. Very sustained and genuinely quite
disturbing. But the rockabilly tune itself has a semi-demented and hurried-to-the-point-of-toppling-over
quality which combines to turn it into a sort of frenzied fairground ride of a song.
Kinda brilliant.
It’s
not the only good screamo song though. One good modern one is by Codex
Leicester, called (I’m guessing) Composition. I only know it as a live tune,
but what I like about it is the way that the entire minute and half of the song
is basically constructed around bursts of full-throated Aggghhhhh’s. (When this
came on in the car the other day my mother apparently thought we’d driven past "an animal in distress” in a nearby field. Yep, it was that good).
The Beatles - not, I must admit, one of my favourite bands - probably helped popularise screaming with their (rather tame) quasi-scream harmonies on tunes like I Want To Hold Your Hand, but I much prefer the out-of-control screaming of the early "Beatlemania" teenyboppers themselves. Now that's screaming. Fab screaming!
The Beatles - not, I must admit, one of my favourite bands - probably helped popularise screaming with their (rather tame) quasi-scream harmonies on tunes like I Want To Hold Your Hand, but I much prefer the out-of-control screaming of the early "Beatlemania" teenyboppers themselves. Now that's screaming. Fab screaming!
Meanwhile, a lot of contemporary grindcore-type stuff is heavily based on guttural vocals that are, as it were, the subwoofer version of screaming. It’s not the real thing but it’s not bad and can
be excellent when it works (“I bet his throat’s really going to hurt in the
morning”, is my girlfriend's usual response to this music). I’ve said before that
I think the grindcore growl sometimes becomes a little predictable and I quite
like it when a band like Gurt vary things by switching from a dalek-throat
voice to a normal one (or when a band alternates between the throaty stuff and grunge-type
melody, as do the rather good Heck Tate for example). But I digress …
At
the risk of taking this blog down a rabbit hole of self-referentiality, I want
to end by mentioning how I recently caught a good “noise” band called Kind Eyes
(the noise genre is obviously one I’ll have to try to do justice to in a future
post). Suffice
it to say that Kind Eyes had a good line in the strained-voice, near-screaming
that’s fairly typical of the genre. I think some actual in-your-face Psycho-style screaming
would have improved them though.